US-based Nigerian woman, who goes by the name officialshella_b on instagram, has accused popular musician and self-styled Egberi Papa 1 of Bayelsa, Enetimi Odon otherwise called Timaya, of rape.
Shella B who currently resides in Dunwoody, in Atlanta is a recording artiste known as Chi Queenett.
The allegation was made on Thursday in a series of posts on Instagram.
The posts sent under the identity,
‘ExposingtherealTimaya,’ consisted of screenshots and audio recordings
from.....
previous conversations between the duo, and continued till
Saturday.
The allegation sparked mixed reactions
from the musician’s fans. Timaya, it was alleged, committed the act
while in the US for a show.
One of the posts by the lady read: “You
are a rapist. I will make sure the world knows it. You might want to
cancel your show and get out of Atlanta because I am going to the
police.”
She followed up with a reply from Timaya
which read: “I don’t hurt people, but if you want me dead, then it is
fine. I leave you to God. No problem, I will leave the town as you
advised; I am taking myself off the show.”
But it seemed the lady’s anger sparked
off when Timaya did not keep to his word as he went ahead with the show,
contrary to his previous reply. Furious, she wrote: “Timaya what you
did was wrong, and you know it. Just because you are a star does not
give you the right. Yet you still went ahead and did your show while I
was hurting.”
In yet another post, the lady also
accused Timaya of threatening her life. According to her, it was not her
intention to expose him, but his threats forced her to do so, adding
that he was not remorseful for taking advantage of her and threatening
her.
In response to the threat, the lady whose
identity is unknown, wrote, “Who are you; that’s a threat. This is not
Nigeria, you will never see the light of the day behind bars.”
Reacting to the accusation via an email
interview exchange with our correspondent on Saturday, Timaya denied the
allegation, saying it was what happened was a consensual sex between
two adults.
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